Maria Teresa Vera Bio – Wiki
Maria Teresa Vera was a Cuban singer, guitarist, and composer. She was an outstanding example of the Cuban Trova movement. Maria Teresa Vera, who is sometimes called the “grande dame of Cuban music,” is honored with a Google Doodle.
He was born on 6 February 1895 in Guanajay, Cuba. She died on 17 December 1965 in Havana.
Vera has an interesting family background. According to the blog, Rincondeyudith, she was descended from slaves and a Spanish military official. After the independence war, they moved to Cuba.
She was influenced by the composer and guitar player named Manuel Corona, the blog says.
She eventually studied guitar with a guitar master. By age 16, she was performing to audiences.
She started her career as a singer in 1911 in a theatre where she sang the Criolla Mercedes of Manuel Corona. Her first guitar teacher was the cigar-roller José Díaz. Manuel Corona continued her musical education by explaining such things as the different methods for first and second guitar and eventually taught her his compositions. That was without question of the greatest benefit to the young girl.
She formed a duo with Rafael Zequeira from 1916–1924 when he fell ill and died. They had made over a hundred recordings together in New York, most of which have not survived. Then she met Carlos Godinez, a composer, who taught her more about the guitar; the friendship lasted until his death in 1950.
She then formed the Sexteto Occidente in 1925 with Miguel García as first voice, clavé and Director (because he knew most about music), Ignacio Piñeiro on double bass, Julio Torres Biart on tres, Manuel Reinoso on bongo and Francisco Sánchez on maracas. They were a group of talented musicians who would have sparkling careers.
The Chicago Tribune described Maria as “a rarity: A black woman in Cuba.”
The newspaper explained how she lived through the Castro revolution. Her compositions were “yearning ballads with a sophisticated and rich lyrical imagery,” The Tribune reported.
She joined Lorenzo Hierrezuelo as a duet in 1935, and this duet lasted for 27 years. For much of this time, Hierrezuelo ran his duo with Vera alongside his partnership with Compay Segundo (Francisco Repilado), as the duo Los Compadres.
One of her best compositions, the habanera Veinte años, has been performed by a number of Cuban artists; Sólo Pienso en ti, a bolero–son, is also well-known. In 1945 she was contracted to Circuito CMQ for the radio program Cosas de Ayer. In the 1950s, she appeared in the TV program El Casino de la Alegría and in the 1960s she received public tributes on her retirement in 1962.
María Teresa Vera Google Doodle Artist
Google is honoring Vera on 6 February 2020, on what would have been her 125th birthday. “Her lifetime accomplishments in music have a lasting impact and inspired a tribute album, ‘A María ’ , a collection of songs recorded to celebrate her 100th birthday,” Google wrote.
#María Teresa Vera's 125th Birthday #
Date: February 6, 2020
Today’s Doodle honors the life and work of Cuban singer and guitarist María Teresa Vera, who also composed the nation’s rural folk song style, trova. Known as the Grande Dame of Cuban Music, she is widely regarde… pic.twitter.com/3sCYYOxFrX
— Goggle Doddle (@GoggleDoddle) February 6, 2020
Unfortunately, Vera didn’t live into very old age, robbing the world of the other compositions she might have created. She died in 1965 at the age of 70. There is a small theater in her name in her hometown.